“I want other people of color to have a space to create this sort of dialogue or network...that’s where the real stuff is going to actually happen.”More »
“You can’t isolate the object from its history, from what’s happening around you in the world..."More »
“I think that the Free Store allows us to see our irrational fear of the stranger.”More »
Through these collaborations, Reyes creates layers of experience and intimacy between SoMa’s residents based on their personal understanding of time and place.More »
You walk through a gallery in the same way that you move through the world: with a shifting weather of sensation fucking you up and composing you.More »
Extraordinary rendition, the practice of abducting to and torturing people at black sites around the world, is difficult to capture.More »
Everything that I do is toward Black liberation. Giving Black people that freedom and space to be whatever we want—whether that be something that’s about Blackness or not—it’s all connected to our liberation.More »
Griffin is fascinated by fire’s dual role in our collective imagination—as a mercurial force of destruction and loss and as a deeply felt, passionate form of inspiration.More »
(un)makingBy Weston Teruya
Weston Teruya welcomes artists, arts administrators, and cultural workers of color to get real about their lives, practices, and careers. Each episode is an in-depth look into how art gets made, but more importantly how these folks are seeing to the system of art’s (UN)making.
Studio SessionsBy Art Practical Editors
Studio Sessions offers behind-the-scenes access to Bay Area artists, writers, curators, and creative individuals through a variety of tête-à-tête conversations that consider the how, and what, and where of making art. Studio Sessions are presented as interviews, profiles, and studio visits through text, photo essays, and videos.
LPP in ConversationBy Kelly Lynn Jones
LPP in Conversation visits Bay Area artists in their studios and project sites to explore the research, readings, obsessions, and inspiration they use to inform their practice.
Inside the Artist's StudioBy Michele Carlson
Inside the Artist's Studio is an occasional series that offers intimate, insightful portraits of Bay Area artists and places where they make their work.
Bad at SportsBy Brian Andrews and Patricia Maloney
Bad At Sports is a weekly podcast about contemporary art. Founded in 2005, the series focuses on presenting the practices of artists, curators, critics, dealers, various other arts professionals through an online audio format.
Women in PerformanceBy Jarrett Earnest and Patricia Maloney
Women in Performance, curated by Jarrett Earnest and Patricia Maloney, is dedicated space for conversations with leading artists addressing the aesthetic and conceptual issues, historical precedents, and critical language shaping contemporary feminist performance.
Notes from di RosaBy Patricia Maloney
Notes from di Rosa is produced in conjunction with Art Practical's yearlong residency at di Rosa, in which the museum's collection serves as a focus and cornerstone for an in-depth exploration of Northern California contemporary art.
Locating TechnologyBy Genevieve Quick
Locating Technology considers technology and artworks in rather broad terms, such as: mechanical objects, analog and digital photography and video, and computer and web-based work. Through these types of works, writers explore the evolution of technology and its effects on artists’ processes, disciplinarity, and the larger social context of media creation, dispersal, access and interactivity.
Valuing Labor in the ArtsBy Shannon Jackson
On April 19, 2014, the Arts Research Center hosted Valuing Labor in the Arts: A Practicum. This daylong event included a series of artist-led workshops that developed exercises, prompts, or actions that engage questions of art, labor, and economics.
Visiting Artist ProfilesBy Matthew Harrison Tedford
The Visiting Artist Profile series, which highlights some of the artists, curators, and scholars who intersect with the Bay Area visual arts community through the various lecture programs produced by local institutions.
Op-edBy Our Readers
The Op-Ed column is a space for readers and contributors to sound off about Art Practical's content and to contribute to the larger conversation about Bay Area art which Art Practical supports.
Re-EngineeringBy Matt Sussman
Re-Engineering is a series of op-ed articles and real-time conversations co-produced by Art Practical and the Gray Area Foundation for the Arts that invites constructive dialogue between the region's art and technology sectors. By bringing together seemingly disparate voices from both communities, these conversations underscore the creative impulses, capacity to take risks, and desire for positive social impact that these groups have in common.
Printed MattersBy AP Editors
From artists' monographs to beach reads, "Printed Matters" offers a monthly take by a rotating group of contributors on visual art through the printed word.
An Exhibition, PostpartumBy A. Will Brown
An Exhibition, Postpartum is a series that examines the components of making contemporary art exhibitions in order to encourage readers and art practitioners to evaluate an exhibition as a process rather than simply as a finished product. Each installment includes an interview with the curator(s) and/or the artist(s) behind an exhibition, preceded by a review for context and critical analysis. Accompanying these texts is a slideshow of images of the exhibition, from installation to de-installation, as a way of diagramming its true lifespan.
Endurance TestsBy Anna Martine Whitehead
“Endurance Tests” is an irregular column on current explorations of representation, the ethereal, and compulsiveness by black artists working in the field of performance. Across profiles and interviews, the column takes seriously the proposition of performance as a repeatable and assimilable text. “Endurance Tests” will examine contemporary performance-makers actively syncretizing the many implications of "blackness": illegality, contagion, maladaptivity, and a privileged relationship to cool.
The Museum on My MindBy Rob Marks
Wall labels. Curatorial text. Provenance. Titles (or un-titles, as the case may be). At what point do the words surrounding an artwork serve the work, and at what point do they disrupt it? In terms of the museum, specifically, when do explanatory labels benefit museum-goers, and when do they detract from an individual’s experience? Rob Marks' "The Museum On My Mind" is a meditation on the role of museum commentary and what it means to “know” a piece of art.
The Public SchoolBy Elizabeth Sims
The Public School is a school with no curriculum. It is not accredited, it does not give out degrees, and it has no affiliation with the public school system. It is a framework that supports autodidactic activities, operating under the assumption that everything is in everything. http://thepublicschool.org/