In an interview with Monopol, Kiev Biennale curator David Elliott asserts he has not experienced corruption or interference while working in politically unstable Ukraine.

Opera News, one of the leading classical music magazines in the country, said it would stop reviewing the Metropolitan Opera, resulting from the Met’s dissatisfaction over negative critiques.

Christina Linden

Bio

Christina Linden is a freelance curator based in Oakland, California. Her primary curatorial interests include commissioned projects and undertakings that re-examine assumptions about audience and production.

Linden has spent the past year working as curatorial fellow at the Center for Curatorial Studies, Bard College, after completing her Master’s Degree at the same institution in May of 2009. Major projects undertaken while at CCS included work on the exhibition Philippe Parreno, as well as on the accompanying catalog; Ilana Halperin’s At What Moment Does Limestone Become Marble (An Evening Exhibition to Kaaterskill Falls); work on Lisi Raskin's road trip/residency Mobile Observation (Transmitting and Receiving) Station; and an exhibition and printed booklet with artist Amy Patton entitled About the Object, which was also re-presented at Ramapo College in November of 2010. 

Linden completed her Bachelor’s Degree in art history at New York University in 2001, and worked at galleries, museums, and non-profit art spaces in New York, Berlin, rural Thailand, and San Francisco before enrolling at Bard. She has published writing in ARTLIES, Art Practical, Art Voices, might be good, Paletten, PROVENCE magazine, Women and Performance: a journal of feminist theory, an artist’s book by Max Goldfarb entitled Deep Cycle, and the catalog bitter, black thoughts for Amy Patton’s 2010 exhibition at the Blaffer Gallery in Houston, Texas.