Qatar has purchased Cézanne’s The Card Players for more than $250 million, the highest price ever paid for a work of art.

The artist Christo wants to stretch fabric over the Arkansas River as part of a massive art exhibition. But now a group of University of Denver law students are joining in on the fight to put a stop to it before it ever starts.

1.3 / Binaries

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  • Drifting and Navigating, Part 1

    Drifting and Navigating, Part 1

    by Anthony Marcellini

    What Keeps Mankind Alive? This impossible question is the first event in our experience of the 11th International Istanbul Biennial, and it is an essential and primary one to our understanding of the show. This phrase confronts us everywhere: in the Biennial’s media, press releases, books, posters, and on banners placed throughout Istanbul. Conceived by the curatorial collective What, How & for Whom (WHW), from Zagreb, Croatia, this title performs the didactic strategy of this biennial.
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  • A Conversation about “What Keeps Mankind Alive”

    A Conversation about “What Keeps Mankind Alive”

    by Patricia Maloney

    At the Creative Time Summit: Revolutions in Public Practices event held last month at the New York Public Library, I had the chance to sit down with Ana Dević and Sabina Sabolović, two of the four members from the collective What, How, and For Whom (WHW) who curated the 11th International Biennial. Serendipitously, a draft of Anthony’s critique was in hand, as I had spent the morning editing it, and I took this opportunity to ask of them some of the questions he posed in his essay.
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