6 / Common Ground
Features
Social Work: Politics, Police, and the Law in Art, Part 1
by Matthew David RanaThe aesthetics of politics is such that the sensorium is organized according to who does or does not have a legitimate claim to a share of what is common to the community. While certain subjects are marginalized to the point that they do not count as individuals with a voice and a stake in that sharing, others only acquire personhood in relation to their illegality, according to their transgressions.
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Interview with Allison Smith
by Patricia MaloneyAt this point, I am interested in taking on the discourse around material culture and visual studies that has really broadened how we can see cultural production beyond art works or craft. That’s where I can enter into something like trench art and think about it as a kind of creative practice that changes the way I see myself as an artist in the world. What does it mean to take the conflicts of the world and try to do something creative from those extreme circumstances, using what is hand?
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Reviews
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Brady Welch
Conrad Ruiz: Cold, Hard and Wet
Dec 11 - Jan 30
Silverman Gallery
Conrad Ruiz
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Rachel Adams
Gabriel Orozco
Dec 13 - Mar 01
Museum of Modern Art
Gabriel Orozco
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Carol Anne McChrystal and Keturah Cummings
in a world where you are possible
Dec 17 - Jan 17
NOMA Gallery
Christine Kesler
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Jessica Brier
Morphology
Dec 31 - Dec 31
Stephen Wirtz Gallery
Catherine Wagner
Shotgun Reviews
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Lian Ladia
Everyday Miracles (Extended) Phase 2
Group Show






