8 / The Painting Issue
Features
Sight-Free Seeing
by Bruno FazzolariThere’s this idea that the more detailed you are, the more realistic you are. In a photograph, there’s this immediate illusion that you're seeing all this realistic detail, but it's just a representation, through one-point perspective and the like. Tuymans’ solution is to create this light, which gives you a sense of reality—or unreality in some cases.
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Luc Tuymans Retrospective. San Francisco Museum of Modern Art. 10 A.M. February 3, 2010
by Jake LongstrethWith a grin, Tuymans beckoned us into the first of the large, spacious rooms: "Now we move into the light!" It is unclear whether he was referring to the room with its bright, high ceilings, or to the paintings themselves. Nonetheless, many of the works in the large galleries do possess a glowing, internal luminosity that his earlier works don’t.
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Reviews
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Renny Pritikin
John Bankston, New Works
Jan 14 - Feb 27
Rena Bransten Gallery
John Bankston
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Leigh Markopoulos
Luc Tuymans
Feb 06 - May 02
SFMOMA
Luc Tuymans
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Mary Anne Kluth
Situation Critical
Dec 12 - Jan 30
Marx & Zavattero
Taravat Talepasand
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Christine Kesler
The Art of Richard Mayhew
Oct 10 - Mar 07
Museum of the African Diaspora
Richard Mayhew
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Elizabeth Johnson
The Friends and Neighbors Effect
Jan 08 - Feb 07
Triple Base Gallery
Bryson Gill
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Randall Miller
Young Africans from Southern Rhodesia in “The Anniversary Show”
Dec 19 - Jan 16
SFMOMA
Group Show
Shotgun Reviews
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Morgan Peirce
Next Deadline for Shotguns: April 15, 2010
Shotgun Deadline






