Contributors
Writers
- Adrienne Skye Roberts
- Aimee Le Duc
- Anne Colvin
- Anthony Marcellini
- Art Practical Editors
- Bad at Sports
- Bean Gilsdorf
- Bill Berkson
- Blanka Earhart
- Brady Welch
- Brandon Brown
- Brent Foster Jones
- Brian Andrews
- Bruno Fazzolari
- Carol Anne McChrystal
- Catherine McChrystal
- Chelsea Wong
- Cherie Louise Turner
- Christian L. Frock
- Christina Linden
- Christine Kesler
- Christine Wong Yap
- Constance Lewallen
- crystal am nelson
- Daily Serving
- Danielle Sommer
- Dena Beard
- Dominic Willsdon
- Elizabeth Johnson
- Ellen Tani
- Elysa Lozano
- Elyse Mallouk
- Genevieve Quick
- Gibson Cuyler
- Glen Helfand
- Guillermo Gómez-Peña
- Gwen Allen
- Hou Hanru
- Jake Longstreth
- Jarrett Earnest
- Jeanne Gerrity
- Jessica Brier
- John Zarobell
- Kara Q. Smith
- Kate Mattingly
- Keturah Cummings
- Lani Asher
- Larissa Archer
- Laura Cassidy
- Lea Feinstein
- Leigh Markopoulos
- Liena Vayzman
- Marcella Faustini
- Mark Van Proyen
- Marta Martinez
- Mary Anne Kluth
- Matt Stromberg
- Matthew David Rana
- Matthew Harrison Tedford
- Megan McMillan
- Megan Wilson
- Melissa E. Feldman
- Mia Kirsi Stageberg
- Michele Carlson
- Patricia Maloney
- Rachel Adams
- Randall Miller
- Renny Pritikin
- Sarah Hotchkiss
- Shannon Jackson
- Shotgun Reviews
- Sita K. Bhaumik
- Spencer Young
- Stephanie Baker
- Terri Cohn
- Tess Thackara
- Theo Konrad Auer
- Tom Comitta
- Twilight Greenaway
- Valerie Imus
- Victoria Gannon
- Zachary Royer Scholz
-
Shotgun Reviews
Bio
Shotgun Reviews are an open forum where the broader community is invited to contribute reviews and commentary. They are short format pieces (250-400 words) that, as the name implies, offer quick and timely responses to an exhibition or event. Here is the list of Shotgun Reviews contributed by our readers.
Articles
- 0-Viewpoint
- A Child’s View from Gaza
- A New American Picture
- Anri Sala at the 29th São Paolo Biennial and Inhotim
- Are We There Yet? 5000 Years of Answering Questions with Questions
- Art at the Dump: Twenty Years of the Artist in Residence Program at Recology
- Better a Live Ass Than a Dead Lion
- Boulevard
- Brent Green, Perpetual and furious refrain/ MATRIX 232
- California Continued: New Approaches in West Coast Photography
- Conviction and Emotion: The Art of Luis Gutierrez from the 1970s to Now
- Corpo/Ilicito: The Post Human Society 6.9
- Dedication
- Deities, Demons, and Dudes with ’Staches
- Deletions
- E is for Everyone: Celebrating Sister Corita
- Emancipated Hearts and First Exposures
- Emergency Screening: A Fire in My Belly
- Enter Slowly,
- Entropic Growth
- Ever After
- Ever After
- FREE 2011
- Fabricated Reality
- Francesca Woodman
- From Los Angeles: Selections from Pacific Standard Time
- From New York: Fort at Lime Point
- Geography of Transterritories
- God Only Knows Who the Audience Is
- Haute
- High Life
- IMMATERIAL
- Inside White
- Introduction
- Jordan Kantor
- Koi
- Lane Arthur in The Women
- Lazy World of Ideas
- Let’s Talk of a System
- Line of Sight
- Lineas: New Modes of Contemporary Urbanisms
- Lunch Break
- Maintenance Art
- Maira Kalman: Various Illuminations (of a Crazy World)
- Manufactured Organic: Exploring the Environmental Implications of Art
- More Glitter—Less Bitter
- New Works by Kimetha Vanderveen
- Next Deadline for Shotguns: February 7, 2012
- Notes In/troducing Englyph
- Oceans and Campfires
- Parables – Pavilion of Bangladesh
- Paralela // 2010: A Contemplação do Mundo
- Portals
- Presidio Habitats
- Proliferations
- Pure Paper
- Quantum Jitters
- Response to Social Work, Part 2: Interview with HUSH
- Retro-Tech
- Richard Baker
- SC13: With Love, From Mabel
- SC13: With Love, From Mabel
- San Francisco Then
- Scott Greene: Capitulare de Vita
- Sitting In A Circle
- Slideways
- Somewhere
- SpaceBi
- Tale Spin
- Tall Trees
- The 29th São Paulo Biennial
- The Candy Store
- The Dripstone Sings to the Choir and Flood
- The Institute Drawing
- Universal Remote
- Until Today: Spectres for the International Hotel
- Valencia Street Posts
- Valencia Street Posts
- West Coast Critical?
- What Defines the Bay Area Visual Arts Community?
- When Worlds Collide
- every stone tethered to sleep/ every presence wedded to stone
- shift, return
