by Elena Gross, Jay Katelansky
what are you looking at?
Elena and Jay reflect on the decades-long careers of Black artists and consider what their re-emergence says about our current moment and for the future.
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by David A. M. Goldberg
Features
DB Amorin explores a queer Native "ambient identity" through video installations that include the geographic, the cognitive, and the historic.
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by James C. Fleming
Features
From the performance-art practice of Hope Mohr Dance to the Sapphic brilliance of Juliana Huxtable’s poetry and soundscapes, sacred enclosures of queer desire abound.
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by Ariel Zaccheo
Features
For her work Stranger Visions, Heather Dewey-Hagborg collected genetic traces left on New York streets. Like the shed DNA, internet data collection leaves a trail through which to trace our digital lives.
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by Weston Teruya
(un)making
Weston talks with artist, curator, and cultural organizer Nancy Hom, who has served as an anchor and mentor in the Asian American artistic community, creating platforms to support artists, bring together people, and advance social justice work.
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by Kelly Kirkland
New Takes
Cybele Lyle renegotiates her relationship to the rapidly changing landscape of her childhood home: “I feel like I'm seeing a place I've known forever for the first time.”
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by Helen Wong
Features
An exploration of Xiaojing Yan’s exhibition, In Suspended Silence, and Wen-Li Chen’s installation, To My Unborn Child, at the Richmond Art Gallery.
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by Cliff Hengst, Scott Hewicker
Between You and Me
"I keep thinking of Prue Leith from the Great British Baking Show (one of the few things these days that calms my rising anxiety) when she says knowingly to the contestants, 'It has got to be worth the calories.' I’m sure there’s a metaphor for art school in there somewhere."
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by Connie Zheng
Features
The Feminist School of Painting is a solo exhibition by the Argentinian artist Ad Minoliti, but it is also an experiment and a “performance that begins with open questions.”
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By Rosa Tyhurst
Review
Cloaca Projects
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By Barbara Morris
Review
Traywick Contemporary
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by tamara suarez porras
New Takes
Photographic objects and the subjects within them degrade over time, particularly when discarded through the sieve of archival practices. Do possibilities exist for the body to further live through the photograph? Can photographic objects invoke life over death?
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by Dorothy Santos
PRNT SCRN
In the first episode of PRNT SCRN, Dorothy explores the history and convergence of analog and digital technologies in the production of experimental sound.
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by Glen Helfand
Living & Working
The Bay Area may be losing some of its soul, but there’s a tenacious spirit here that cannot be eradicated. Ultimately, things boil down to our sense of truth and empathy.
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by Ashley Gifford
Features
The Utopian Visions Art Fair in Portland, OR proposes an optimistic alternative to traditional models.
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by Elena Gross, Jay Katelansky
what are you looking at?
On this episode, Jay and Elena visit Bay Area Now 8, the YBCA triennial exhibition, and talk about faves and feelings.
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by Weston Teruya
(un)making
In this (un)making episode, Weston talks with Ho Chi Minh City-based artist, curator, and cultural organizer Dinh Q. Lê.
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by Ana Tuazon
Features
Autumn Knight's Sanity TV is a performative talk show negotiating the complex socio-policital dynamics of its audience.
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by Christopher Frank Blackmore
Features
Going Outside showcases the work of China-born, US-based artists He Kunlin and Tong Yi Xin. The exhibition addresses an ongoing negotiation of masculinity in the contemporary era.
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by Nat Marcus
Features
Bri Williams often sources objects from antique malls, second-hand stores, or simply from the street: materials that were once possessed by someone or something else—and perhaps still are.
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